‘Her affinity to the material was visceral and reasoned at the same time, driven in equal part by an artisan touch, a strategists’s regard and a poet’s inflection.  She could liberate the essence of stone and still control the shape it took. She sought the spirit of the stone, in order to find new, and yet familiar, form.’  Peter Frank, Los Angeles art critic

Contemporary Sculptures

Photography by Sabine Pearlman with the exception of Internal Knot and Hugging by Gary Fisher and Contortion, unknown

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